Darren Wright tonight pointed me in the direction of Tara Brabazon’s book, From Revolution to Revelation.
From her web site, Brabazon.net, comes the editorial summary:
What happens when a strobe light is turned off, a bar closed, the colostomy bag belt unhooked, and a sweaty, smiley bandana discarded? How do we understand our own past, and the collective past we share with others? Popular culture offers a bridge, vehicle and vessel for memory, providing the building blocks of identity. The politics and passion of life are captured in the unforgettable song, the energy pumped out of an extraordinary night club, the exuberance of an unexpected goal in extra time, and the love of a film. For a fan, the joy and exhilaration is enough. For those writing on the coat tails of fashion, we need to understand why particular popular cultural forms survive through time and space.
This is the task of From Revolution to Revelation. To rewrite the maxim of the great rock writer Greil Marcus, I am interested in the dustbin of Cultural Studies, the discarded remnants of political struggles and theoretical hopes unrealized. To commence this rummaging, I return to Richard Johnson’s theory of popular memory as a way to understand the – now named – Generation X.
Those born between 1961 and 1981 have endured many (post) youth cultural labels, from slackers to the chemical/blank generation and baby busters. Yet there is no systematic study of the popular cultural literacies that are the basis of – and for – this imagining community. I document the disappearances of history, showing how popular memory – like the Hacienda – can be (re)built, even after the building itself has been destroyed.
The link between Generation X and Cultural Studies is not randomly selected. The histories of both these labels are taken for granted. It was left to Lawrence Grossberg to remind us that Cultural Studies is The Generation X of the academic world Â… Like the post baby-boom generation that is referenced in this odd phrase Â… everyone is talking about it but no one seems to know what it is. Lots of people are suddenly claiming to do it while others, nervous about its rather sudden success, are attacking it.
Such a realization is radiantly revealed and well captured, but requires evidence and clarification. From Revolution to Revelation takes up Grossberg’s challenge, following the bread-crumbed trail of popular memory that snakes through both Generation X and popular culture.”
Tara Brabazon lives in Perth, Western Australia, teaches in the School of Media, Communication & Cultural Studies at Murdoch University, and is the director of the Popular Culture Collective. Over the past few years Tara has taught Cultural Studies and History throughout Australasia, working in New Zealand, Queensland and Western Australia.
Tara’s research and writing includes the history of cultural studies, particularly with regard to the theoretical and political relationship between Britain, Australia and New Zealand. She’s written on Australian and New Zealand immigration history, film and television, popular music, feminism and men’s studies.